‘Baba Bolta Hain Bas Ho Gaya’ comes at the end of the movie where Sanjay Dutt appears to (minimally) swing alongside Ranbir Kapoor. Koutish has a small but important part in the song, her ‘la la la’ enhances the psychedelic sound of Rahman’s music as well as gives the nod to the time the song is set in. Shashwat Singh delivers the song in style, not compromising on its trance-like feel. Penned by guest lyricist Irshad Kamil, the song is sung by Shashwat Singh and Indian Idol finalist Poorvi Koutish. ‘Kar Har Maidaan Fateh’, composed by Vikram Montrose is an excellent example of commercial Bollywood music because it has a pinch of everything massy – immersive and rousing music (that Sukhwinder Singh and Shreya Ghoshal sing) capped off by a strong and catchy chorus.ĪR Rahman’s ‘Ruby Ruby’ immediately lifts the album. Every song has a story, but this feels otherwise and is an entirely forgettable experience. Sung by Nakash Aziz, this track is a tragedy. The duo has another song on the album, titled ‘Bhopu Baj Raha Hain’. The visuals certainly enrich the appeal of the song. Rohan-Rohan’s ‘Main Badhiya Tu Bhi Badhiya’ takes the listener back to the 80s with Sunidhi Chauhan’s intentionally nasal vocals, accompanied expertly by Sonu Nigam. Talking about the album, with two songs apiece from Rohan-Rohan, Vikram Montrose and AR Rahman, it is definitively a Rajkumar Hirani one, with predominant situational music. It is time Hirani too puts some trust in his audience that they don’t need an electric guitar riff when they see cocaine on the big screen to know it’s not ‘good’ or the pluck of a string instrument to evoke sympathy. The background score for Sanju composed by Atul Raninga and Sanjay Wandrekar ruins the film by constantly spoon-feeding emotions to the audience – it is abysmal and beyond justification.
The trend is declining now, and one doesn’t expect a great score from a Hirani film considering his storytelling and filmmaking style, which is not layered and very direct.
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In this case, because the makers decided to release the album alongside the movie (and having watched the film) we have the (mis)fortune of speaking for the entire soundtrack.īollywood regularly receives flak for its over-the-top score, where the jarring music tells the audience how to feel. Hence, it is difficult to talk about the background music that is not only an essential part of any soundtrack but also a critical aspect of the entire film. Perhaps it was the desire to keep the intrigue that the producers only released a few songs and waited until the film hit the theatres to release the entire album.īollywood albums are usually released before the films have come out. One of the most anticipated releases of the year, the wait for T-Series to release the entire Sanju soundtrack has been high ever since it was announced AR Rahman would be a guest composer.
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